Movie: Swarna Kamalam
Director: K. Vishwanath
Music: K.V. Mahadevan
Lyricist: Srivennela Sitaramasastry
1. Telimanchu
karigindi talupu teeyanaa prabhu
Ila gonthu vanikindi pilupuneeyanaa
prabhu
[Meaning of critical words] Telimanchu (udayapu manchu)
Ila (Bhoomi)
[Telugu] Kavi ikkada Surya bagavaanudini gurchi chebutu anna maatalivi..
Udayapu Manchu nee tholi kiranala valla kariginadi, talupu theeyana
prabhu,
Ee lokalu ika nidra lechhinavi, ninnu gonthu vippi prardinchedanu prabhu
[English] The poet here is referring to the Sun
God. This description is done to signify the sunrise. The small boy’s character
in the movie welcomes the Sun God by opening the doors when the morning's snow
has started to melt due to the rays of the Sun and wants to open up his voice
(to pray) to the Sun God, as the world has just woke up.
2. Nee doava podavunaa
kuvakuvala swagatham
Nee kaali alikidiki melakuvala
vandanam
[Meaning of critical words] Kuvakuvalu (pakshulu)
[Telugu] Nee daaripodavuna pakshulu swagatham palukuthunnayi..
Nee kaali alikidiki (ante nee raaka ki) melakuva (nidra lechina tanamu)
vandanalu palukuthunnadi
[English] He is being warmly welcomed by the melody
of the birds all his way and gets the salutation of the awakening, at the
slightest hint of his arrival.
3. Ee poola raagala
pulakintha gamakaalu
Gaarabu kavanaala gaali sangathulu
[Meaning of critical words] Pulakintha (utsaham)
Kavanam (kavitha)
[Telugu] Ee utsahabaritamaina puvvula kadalika gamakamu..
Garabamula kavithwamu lante gaali sangathulu
[English] The poet compares the sync between the
flowers and the wind with the intricacies of the Carnatic music. He says that
the excitement in the wavy rhythm of the flowers seems like "gamaka"
and the wind composed with love seems to play the "sangathi"
4. Nee charana
kiranaalu palukarinchina chaalu
Pallavinchunu prabhu pavalinchu
bhuvanaalu
[Meaning of critical words] Pavalinchu (nidurapoyina)
[Telugu] Nee padalanunchi vachina kanthi valla chiguristhayi
(niduralesthayi) swamy nidurinchina lokalu
[English] Oh Lord ! The slightest touch of the rays
from your feet would awaken/bring up the sleeping worlds.
5. Bhaanumoorthy, nee
prana keerthana vini palukani
Pranathulani pranava sruthini
Paadani prakruthini
pradhama kruthini.
[Meaning of critical words] Bhaanumoorthy (Surya Devudu),
Pranati (namaskaram)
Pranava (the note “Om”)
[Telugu] Surya deva, nee keerthana vini Omkaranadhamanthati namaskaralu
palukani
Prakruthini pradama bhakthi tho prathispandinchani
[Abhinav] Oh Sun God, by listening to the song of your
praise, let there be a salutation at the level equivalent to that of the note
"Om" and let the Nature react in its best possible devotional way
towards you.
6. Bhoopala, nee mrola
ee baela gaanalu
Nee raajasaanikavi neeraajanaalu
[Meaning of critical words] Mrola (eduruga)
Baela (amayakapu)
Neerajanam (aarathi or tribute)
[Telugu] Oh Raja, nee eduruga paade ee amayakapu paatalu, nee rajasanike
arpithalu/aarathulu
[Abhinav] Oh King/ruler of this Earth (Sun God),
these innocent (childish) songs sung in front of you are nothing but a tribute
to your Kingship.
7. Pasaru pavanaalalo
pasikoona raagalu
Pasidi kiranaala padi padunuderina
chaalu
Thalayoochu, thaliraaku
bahuparaakulu vini doralani
Doranagavu dontarani tharalani daari
tholagi raathirini.
[Meaning of critical words] Pasaru (letha, mruduvaina)
Pasidi (bangaram)
Thaliraaku (appude chigurinchina aaku)
Bahuparaak (pogadtha)
Doranagavu (manchi trupthikaramaina chirunavvu)
Dontara (kuppa, okadanipai okati amarchabadina)
[Telugu] mruduvuga veeche galulaloni pillavadi paatalaki nee bangarapu
kiranalu takithe chalu avi entho merugu diddukuntayi ani poguduthunna letha
chiruraku pogadthalani vintu, nee madhuramaina chirunavvu (ante kanthi ki)
doralithe, daaniki raathri chikati tolagipothundi
[Abhinav] By listening to the praises of a tender
leaf which thinks that it is sufficient to have the grace of your golden rays
on a baby’s cries in the tender breeze, let your cascading smile unroll by
letting away the darkness of the night.
Notes: There is a
beautiful description of the Nature’s reaction towards the Sunrise in this song
which is a typical mark of the poet (Sitaramasastry garu). Also, there is an
excellent symmetry maintained in this song. You can observe that the first line
of both the charanas (middle stanzas of the song) ends with the word “vini”.